![]() ![]() The ultra wide camera was substantially improved too: ![]() In our testing, the iPhone 14 Pro achieved far sharper shots with vastly - and we mean vastly - superior dynamic range and detail. Regarding the front-facing camera de With says: de With’s review is packed with details about every lens and Apple’s computational photography pipeline, taking readers behind the scenes in ways that Apple simply doesn’t. Sebastiaan de With, part of the team behind the excellent camera app Halide, has published his annual iPhone camera review, this year putting the iPhone 14 Pro Max through its paces in and around San Francisco, Bhutan, and Tokyo. As an experiment for the next few weeks, I’m going to try what Brendon suggested and use the Rich Contrast photographic style on my iPhone 14 Pro Max. To be clear: The RAW files produced by this system in apps like Halide are stunning. But there’s something lost in translation when it comes to the stock Camera app and the ways in which it handles images from every day use.ĭon’t miss the comparison shots between the Pixel 7 Pro and iPhone 14 Pro in MKBHD’s video. Over time though, it’s become more and more evident that the software side of iOS has been mangling what should be great images taken with a great sensor and superbly crafted lenses. The iPhone’s camera hardware is outstanding, but how iOS interprets and remixes the data it gets fed from the camera often leads to results that I find…boring and uninspired unless I manually touch them up with edits and effects. Every once in a while you get weird stuff like this, and it all comes back to the fact that it’s software making choices. But in the iPhone’s reality you cannot tell, at least from my face, where the light is coming from. I am clearly being lit from a source that’s to the side of me, and that’s part of reality. Look at how they completely removed the shadow from half of my face. From the video (which I’m embedding below), in the part where Marques notes how the iPhone completely ignored a light source that was pointing at one side of his face: In his latest video, MKBHD eloquently summarized and explained something that I’ve personally felt for the past few years: pictures taken on modern iPhones often look sort-of washed out and samey, like much of the contrast and highlights from real life were lost somewhere along the way during HDR processing, Deep Fusion, or whatever Apple is calling their photography engine these days. Peakto is also available directly from CYME. Peakto gains another source of photos to organize, and Pixelmator Pro users have a new way to manage their images.īoth Pixelmator Pro and Peakto are available on the Mac App Store. I haven’t had a chance to try Peakto’s new Pixelmator Pro integration yet, but it looks like a good combination for users of both apps. The integration with Peakto also allows Peakto users to access Pixelmator Pro as an editing destination with one click. For Pixelmator Pro users, the announcement today means new ways to explore their image collection alongside images from other apps. As with other image sources, Pixelmator Pro files will be organized and viewable in Peakto. Today’s announcement adds Pixelmator Pro documents to the mix. The app handles multiple file types and offers navigation by keywords, location, and other metadata too. Peakto is a Mac app that uses AI to organize your photos from numerous sources, including Apple Photos, Lightroom Classic, Luminar, Capture One, and more. ![]() CYME announced today that its app Peakto has added Pixelmator Pro integration. ![]()
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